7 H.Target - Psy Slam Damage CD 2013



























7 H.Target - Psy Slam Damage
Coyote Records CD 2013

01 Videodrome with 7 Hz Music 03:30    
02 Grenade in the Hand 04:30    
03 Gun-in-Cunt 02:03    
04 Tetsuo Rising 03:08      
05 Metro.Tetsuo vs. Woman.Psy Slam Damage 03:13      
06 Mindestroyer Dance 04:33

Mikhail Panphilov - Drums
Konstantin Korolev - Bass
Aleksey Menshov - Guitars
* Add Vocal
Yoshinori Konno - Vocals
Ramon Mercado - Back. Vocals
Matteo Bazzanella - Lead Vocal Vocals

Psy Slam Damage Brutal Sinting asal Nizhny Novgorod yang merupakan penjelmaan nama baru dari Surgeont reinkarnasi Tahun 2010 menjadi 7 H.Target, entah maksud apa yang dikandung dalam nama ini, yang jelas bagi gw masalah nama ga jadi problem, Gw mah tetep menikmati sajian Musiknya saja hehehehe .... 7 H.Target is a newcomer to the scene, but they don't pussyfoot around. What they've done here is take the "caveman slam" genre and added one part technicality, one part progressivity, one part grooviness, and one part weird Japanese samples. End result: one of the best brutal death albums of all time. In the words of the band: "Techno Sexual Violence Russian Slamology". After that compelling description, how could you not want to listen in? Russia has gained a reputation as a hotbed of guttural slamming music !!! Trio Penjagal sadis ini memang tidak memiliki Vokalis permanen dipanggung, dan pada Proses rekaman aja mereka mesti menggunakan Vokalis Keroyokan dari Vocalis band Death Metal Jepang, Trangressor , Yoshinori Konno. lalu Matteo Bazzanella, Vocalis band Brutal asal Italy yang saat ini aktif diband Execration ( Sebagai Drummer ), Indecent Excision dan Neurogenic serta Vokalis Ramon Mercado, Vokalis kebangsaan Amrik dari band Pencil Lead Syringe dan Emanate Disembowelment juga terhitung pernah memperkuat barisan Pathology. hmmmm...kayaknya ribet banget bawaannya band ini hehehe, tapi suerrr, Typical Brutal Death Music-nya Keren banget !!!, sentuhan Chaotic Brutal dengan Bumbu Slamming Intens tanpa banyak menggunakan Triggering Drum, sekilas sangat Gw rasakan aroma Gaya Brutal awal Cephalic Carnage, Alienation Mental hingga Godless Truth Era " Self-Realization " banget. Dominasi permainan yang Chaotic menjadi Modal tersendiri bagi rilisan Gress sekaligus menjadi full album ke-2 setelah " Fast-Slow Demolition ". dentuman drumming " mentah " ala Live Recording sama sekali tidak mengalami Triggering Track mendominasi Blastbeat namun tetap didukung dengan sound Power Riffing yang mantap, sehingga Sanggup bikin Kuping kita Budeq jika melebihi batas volume maksimum yang dianjurkan hahaha... The production on this album is extremely heavy. There is just no other way to describe it. It is not "clean", or "polished", or "sleek" or any of those words that get used when a death metal band fucks up their production. Adjectives such as "cryptlike", "madness-inducing", and "fuckheavy" would be more appropriate. Penetrating through all the guitar-produced sludge is a snare drum with a drumhead made of sheet metal. That's what it sounds like anyway. I would have preferred a more conventional snare sound, but the incessantly ringing tone during blast-beats is better than a flat. apalagi ditambah raungan 3 Vokalis Tamu menjadikan Suasana yang makin Kacau saja typicalnya. cukup dengan 6 lagu berdurasi total hanya 21 menit yang seharusnya rilisan ini lebih dikategorikan sebagai EP bukannya Full album. Artwork Mengerikan karya Daemorph semakin menambah ngeri rilisan ini. 7 H.Target's instrumentalists are talented, and while they play some pretty crazy stuff, 7 H.Target can't really be considered a tech-death band. What death metal band doesn't play crazy shit? There aren't many solos or other prominent technical passages. Flashy fretboard fingerwork is second to bludgeoning riffs, which is how it should be. And the entire performance seems very organic, with slight musical imperfections popping up everywhere. You could have told me this was a live album and I would have believed you, if not for the lack of crowd noise with Groovy syncopated sections actually get more exposure than the quintessential "slam" riff, which is used sparingly and is often played in a syncopated style as well. I prefer this to the Cephalotripsy-esque "keep that pit going guys! we're playing another slam!" style which has a plurality of adherents. All this being said, I wouldn't recommend this to someone who is just getting into slam, but I would highly recommend it to anyone who is looking to expand their extreme musical horizons. The album holds a lot of diversity and originality that you won't find in many other places, especially in the genre of slam/BDM. Get your hands on this as soon as possible!

Psy Slam Brutal Sick Damage Nizhny Novgorod origin who is the new name of Surgeont reincarnation in 2010 to 7 H.Target, either mean what is contained in this name, the name of the problem is clear to gw ga problem, Gw mah tetep enjoy music course offerings hehehehe .... 7 H.Target is a newcomer to the scene, but they do not pussyfoot around. What they've done here is take the "caveman slam" genre and added one part technicality, one part progressivity, one part grooviness, and one part weird Japanese samples. End result: one of the best brutal death albums of all time. In the words of the band: "Techno Russian Slamology Sexual Violence". After that compelling description, how could you not want to listen in? Russia has Gained a reputation as a hotbed of guttural slamming music!!! Butcher sadistic trio does not have a permanent vocalist on stage, and the process they must use a recording aja Vocalist mob of Japanese Death Metal band vocalist, Trangressor, Yoshinori Konno. and Matteo Bazzanella, vocalist band Brutal origin Italy currently active diband Execration (For Drummer), Indecent Excision and Neurogenic and vocalist Ramon Mercado, nationality Amrik Vocalist of the band and Emanate Pencil Lead Syringe disembowelment also been strengthened lineup Pathology counted. hmmmm ... seems really complicated hehehe default this band, but suerrr, Typical Brutal Death Music its so cool!!!, touch Chaotic Intense Slamming Brutal with seasoning and without using triggering Drum, fleeting feeling very Gw Brutal early scents Style Cephalic Carnage , Alienation Mental until Godless Truth Era "Self-Realization" really. Chaotic domination game into its own capital for Gress release as well as a 2nd full album after "Fast-Slow Demolition". thump drumming "raw" ala Live Recording suffered no triggering Track Blastbeat dominate but still supported by sound Power riffing is steady, so we Budeq Ear Grin make if it exceeds the recommended maximum volume limit hahaha ... The production on this album is extremely heavy. There is just no other way to describe it. It is not "clean", or "polished", or "sleek" or any of those words that get used when a death metal band fucks up their production. Adjectives such as "cryptlike", "madness-inducing", and "fuckheavy" would be more NAMAs. Penetrating through all the guitar-produced sludge is a snare drum with a drumhead made of sheet metal. That's what it sounds like anyway. I would have preferred a more conventional snare sound, but the incessantly ringing tone during blast-beats is better than a flat. not to mention the roar 3 Guest Vocalist make the atmosphere more mess alone typicalnya. enough with 6 songs lasted a total of only 21 minutes that this release should be categorized as an EP instead of full albums. Artwork Terrible horror masterpiece Daemorph adds to this release. 7 H.Target 's Instrumentalists are talented, and while they play some pretty crazy stuff, 7 H.Target can not really be Considered a tech-death band. What death metal band does not play crazy shit? There are not many solos or other prominent technical passages. Flashy fretboard fingerwork is second to bludgeoning riffs, roomates is how it should be. And the entire performance seems very organic, with slight imperfections musical popping up everywhere. You could have told me this was a live album and I would have believed you, if not for the lack of crowd noise with Groovy syncopated sections actually get more exposure than the quintessential "slam" riff, roomates is used sparingly and is Often played in a syncopated style as well. I prefer this to the Cephalotripsy-esque "that pit keep going guys? We're playing another slam!" style roomates has a plurality of Adherents. All this being said, I would not recommend this to someone who is just getting into a slam, but I would highly recommend it to anyone who is looking to expand their musical horizons extreme. The album holds a lot of diversity and originality that you will not find in many other places, especially in the genre of slam / BDM. Get your hands on this as soon as possible!














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REVIEW LOSTINCHAOS

semua tulisan disini adalah Hak Milik LOSTINCHAOS Mediazine yang FREE TO SHARE, semua buah pikir dan Pendeskripsian style musik band dalam setiap tulisan hanya sebagai penggambaran penulis sendiri dan BUKAN untuk menyamakan apalagi membanding-bandingkan ! (mohon jangan dibolak balik lagi). cukup hanya dengan mencantum-kan Source Review link-nya. tulisan disini dibuat dengan jujur tanpa tendensi atau kepentingan apapun, jika Gw bilang bagus ya bagus begitu juga sebalik-nya, karena Gw semaksimal mungkin menyajikan argumen obyektif serta fair review tentang sebuah produk yang masuk dimeja redaksi, saran, kritik dan caci maki, silahkan tinggalkan komentar dibawah ini, Keep Metal Flame till' die !

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