Deadly Weapon - Disillusional Blurs CD 2013



























Deadly Weapon - Disillusional Blurs
Rottrevore Records CD 2013
http://www.myspace.com/xxdeadlyweaponxx
http://www.facebook.com/deadlyweapongrindcore
http://www.reverbnation.com/deadlygrindcore
http://twitter.com/#!/DeadlyWeapon_YK
http://www.youtube.com/ARYOXGRIND
http://www.rottrevorerecords.net
henrysetiawan41@yahoo.com

01 Last in a Miserable Home (Intro) 01:13    
02 Getting Nowhere 00:42    
03 Fits of Disillusional Blurs 01:27    
04 Not a Single Fuck Was Given 01:48    
05 M.K.D.S. (Mati Kau Dikoyak Sepi) 02:03    
06 The Leader Walked Through The Crowd 02:00    
07 Corrupted 01:42    
08 Breaking You 01:52    
09 Remembering Never 02:27    
10 Substitution for Semantically Equivalent Words 02:34    
11 Have Heart 02:13    
12 Pejah Gesang 01:55    
13 Howl 02:52    
14 New Noise (Refused cover) 04:04    
15 Rotting Away at the End of It 01:10    
16 See You in Hell 00:16


Ndandul - Bass
Aryo - Drums
Made - Guitars
Jay - Vocals


Yogyakarta Grinding Assault !!! Yeahh setelah menjadi penantian panjangnya sejak band ini terbentuk tahun 2009 lewat beberapa demo dan split, akhirnya eksistensi sadis mereka dilirik oleh Label brutal potensial terbaik Indonesia Scene, Rottrevore Records yang memberinya kesempatan memuntahkan Full album yang memuat 16 Track Super ngebut yang masih mengusung Karakter Kuat Elemen GRINDCORE dan GRINDCORE !!! ... dan Gw masih sangat teringat dengan kegarangan Swedish Grinding Sadis Nasum era album " Inhale/Exhale " dan " Human 2.0 " banget !, Crusty Grindingcore Kejam dengan Sounding yang masih membawa Karakter Swedish Sound in The Vein Old Entombed serta Dismember ! Songs will rush past you, but not without throwing a bunch of great riffs into the mix. Everything is right to the point; each song blasts away a few different riffs, with the vocals sounding just as angry and blunt as everything else here. you’ll have already heard the d-beat punk influence in their songs, as well as the band’s tasteful use of breakdowns. Not chugga-chugga breakdowns, but ones that really act as a powerful counterpoint and build up. Karakteristik Emosional Growling Vocalis Jay mengingatkan banget kepada Mendiang Almarhum Frontman Nasum, Mieszko Talarczyk yang Tewas Tahun 2004 lalu akibat serangan Bencana Tsunami di Indonesia. Swear Gempuran istimewanya terjadi hampir disetiap Komposisi track-nya, sehingga kita benar2 ga akan diberi kesempatan untuk bernafas lega sedikitpun, apalagi Distortif sound yang mendominasi hampir disetiap Karakter Musiknya. Some of the songs here especially ooze of anger, and prove to be an anger management class in themselves. The tracks are arranged in such a way that there’s a bit of catch-and-release in terms of groove and total brutality. dimulai dengan " Last in a Miserable Home (Intro) " menjadi sebuah Foreplay Track mengawali Keganasan performance mereka dengan Elemen Sound kental Gothenburg Style !! track ini lebih mengajak kita untuk headbanging sebelum mencicipi aroma dasyat Grinding Manufaktur yang menginvansi setiap jiwa lemah manusia. " Getting Nowhere " langsung membabi buta menerjang dan menyerang seperti serbuan kacaunya perang dunia ke- II. as great as some of their later works, but it is one of the most archtypical modern grind albums I can think of. It's lean and ferocious; it makes sense that it was made by only two people as it has a harsh minimalism about it that seems to make the idea of a full band composing it an impossibility. It is brackish and raw yet professional and intelligently composed, despite the natural primitivity of the style showcased on this release. Bener2 nih Deadly Weapon siap menjadi Nasum-nya Indonesia hehehe ... selain serangan bertubi tubi Grinding Snare, tentu kita masih disuguhin dengan Sentuhan Old School Hardcore serta D-Punk Beat yang seperti tak terpisahkan dengan perjalanan Genre ini. at their most primitive and purest state, and while later albums are artistically more developed and 'important', this is a very necessary component to the collection of any fan of the band or modern grind in general. Penulisan Lirik tentang ketidak puasan mereka akan Politik yang terjadi ditanah air serta kehidupan sosial menjadi Amunisi Sakti tersendiri Bagi Vocalis Jay merangkai Kebenciannya ! Most of the differences between songs are structural in nature more than by individual musical elements. Most of the riffs are rather one-size-fits-all and not especially memorable on their own. What's memorable is the particular fill that starts the song, the way a vocal rhythm bursts into a scream at the end of a phrase, general length or repetition; in short, the relationship of parts to the whole. It works like that as far as the whole album goes, really. The tracks on their own aren't very significant and only gain meaning when strung together in the larger context of the release. It's not a very metal way to write an album at all, and in general this probably isn't a 'metal album'. It is pure, modern grind. 16 Track Cukup mereka selesaikan dalam durasi total waktu 30:18 mengantarkan kita pada klimaks kehancuran moral manusia ! The trick with grindcore is to submerge yourself into the music. If you successfully manage to do so, one track will merge into the other. So, essentially, you’re listening to one long song, which could be seen as a benefit, or the total opposite. Why? Well, grindcore is something I can only listen to if I’m in a very specific mood. Basically, I must be angry. If I’m angry, Nasum are usually the band I turn to. In terms of releasing stress to, Nasum are unbeatable. But if you’re looking at grindcore to have something to feel sad to, or any other emotion other than anger, you’re in the wrong place. This will either have to moshing to your heart’s content, or it will induce a headache. The idea of grindcore is mystifying to me. I understand it’s short and sharp bursts of intense emotion, but it’s so incredibly one dimensional, it’s almost not worth it, most of the time. so tidak ada Komentar miring di album full perdana salah satu Grinder Band berpotensi asal Kota Gudeg ini untuk kalian nikmati, apalagi buat kalian Fans Die Hard Nasum, Disfear, Pig Destroyer hingga Misery Index !, This is Absolutely real for You !! Deadly Weapon are perhaps one of, if not the only grindcore band I can stomach. Whilst there isn’t much difference in terms of the irritating song lengths, there is a notable difference in portrayal and sound !!!!

Yogyakarta Grinding Assault!!! Yeahh after a long wait since the band was formed in 2009 through several demos and splits, eventually they ogled by the existence sadistic brutal Label potential of Indonesia's best scene, which gave him the opportunity Rottrevore Records spewing Full album containing 16 Track Super speeding which still carries Strong Character Element grindcore and grindcore!!! ... and Gw is still remembered by Swedish Grinding sadistic ferocity era Nasum album "Inhale / Exhale" and "Human 2.0" Tempur, Crusty Grindingcore Cruel with that still brings Sounding Sound Swedish Characters in The Old Vein Entombed and Dismember! Songs will rush past you, but not without throwing a bunch of great riffs into the mix. Everything is right to the point; each song blasts away a few different riffs, with the vocals sounding just as angry and blunt as everything else here. you'll have already heard the d-beat punk influence in their songs, as well as the band's tasteful use of breakdowns. Not chugga-chugga breakdowns, but ones that really act as a powerful counterpoint and build up. Emotional characteristics reminiscent Growling vocalist Jay really to late late Nasum frontman, Mieszko Talarczyk who Killed in the attack of 2004 and the Tsunami in Indonesia. Swear special incursions occur almost every track its composition, so we Really Not will be given a chance to breathe at all, much less distorted sound that dominates almost every character of the music. Some of the songs here especially ooze of anger, and PROVE to be an anger management class in Themselves. The tracks are arranged in such a way that there's a bit of catch-and-release in terms of groove and total brutality. begins with "Last in a Miserable Home (Intro)" became a Track Foreplay started their performance with the ferocity of a thick Gothenburg Sound Element Style!! This track invites us over for headbanging before tasting terrible smell that invaded Manufacturing Grinding every human soul is weak. "Getting Nowhere" direct blindly lunging and attacking as chaotic invasion of World War II. as great as some of their later works, but it is one of the most modern archtypical grind albums I can think of. It's lean and ferocious; it makes sense that it was made by only two people as it has a harsh minimalism about it that seems to make the idea of ??a full band composing it an impossibility. It is brackish and raw yet professional and intelligently composed, despite the natural primitivity of the styles showcased on this release. Bener2 Deadly Weapon ya ready to Nasum his Indonesian hehehe ... Grinding insistent insistently than attack Snare, of course we still disuguhin with Old School Hardcore Touch and D-Beat Punk as integral to the genre trip. at their most primitive and purest state, and while later albums are more artistically developed and 'important', this is a very Necessary component to the collection of any fan of the band or modern grind in general. Writing lyrics about their dissatisfaction will occur Political and social life in this country to own Milky Ammunition For vocalist Jay stringing hatred! Most of the differences between songs are more structural in nature than by individual musical elements. Most of the riffs are rather one-size-fits-all and not especially memorable on their own. What's memorable is the particular fill that starts the song, the way a vocal rhythm bursts into a scream at the end of a phrase, the general length or repetition;-in short, the relationship of parts to the whole. It works like that as far as the whole album goes, really. The tracks on their own are not very significant and only gain meaning when strung together in the larger context of the release. It's not a very metal way to write an album at all, and in general this probably is not a 'metal album'. It is pure, modern grind. 16 Track Simply they finish in 30:18 total time duration leads to the destruction of man's moral climax! The trick with grindcore is to Submerge yourself into the music. If you successfully manage to do so, one track will merge into the other. So, Essentially, you're listening to one long song, roomates could be seen as a benefit, or the total opposite. Why? Well, grindcore is something I can only listen to if I'm in a very specific mood. Basically, I must be angry. If I'm angry, Nasum are usually the bands I turn to. In terms of releasing stress to, Nasum are unbeatable. But if you're looking at something to grindcore to have to feel sad, or any other emotion other than anger, you're in the wrong place. This will either have to moshing to your heart's content, or it will induce a headache. The idea of ??grindcore is mystifying to me. I understand it's short and sharp bursts of intense emotion, but it's so incredibly one-dimensional, it's almost not worth it, most of the time. so no comment skewed in one of the first full album Grinder gudeg Band from the City's potential for you to enjoy, especially for you guys Die Hard Fans Nasum, Disfear, Pig Destroyer to Misery Index!, This is Absolutely estate for You!! Deadly Weapon are perhaps one of, if not the only grindcore band I can stomach. Whilst there is not much difference in terms of the irritating song lengths, there is a notable difference in portrayal and sound!!!!






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