Gotsu-Totsu-Kotsu - Legend of Shadow CD 2013



























Gotsu-Totsu-Kotsu - Legend of Shadow
Disk Union CD 2013
http://gotsu.komusou.jp/index.html
http://www.myspace.com/gotsutotsukotsu
http://www.myspace.com/gotsutotsukotsu666
https://www.facebook.com/pages/Gotsu-Totsu-Kotsu-%E5%85%80%E7%AA%81%E9%AA%A8/137420836295935
http://twitter.com/GotsuMetal

01 Fukushu no Syukushi 08:13    
02 Baramon 06:37    
03 Kage no Densetsu 05:48    
04 Harakiri 06:21    
05 203 09:45    
06 Marishiten 05:50    
07 Bushu no Kagerou 06:52    
08 Miburo no Ken 05:37    
09 Odoru Sarekoube 06:36    
10 Saigo no Rakujitsu 08:26    
11 Fukeyo Kaze, Yobeyo Arashi 05:05


Atsushi Takahashi - Guitars
Haruhisa Takahata - Bass, Vocals
Hirotaka Nakazawa - Drums


Metal Movement Negeri Sakura memang Terhitung paling Produktif dengan sejumlah Musisi berbakat telah bermunculan disana, dari semua Genre metal yang ada di Asia, Boleh Jadi Jepang adalah negara ke-2 setelah Indonesia dengan jumlah band dan rilisan produktif setiap harinya. dan mungkin Negara ini kerap disinggahi band2 melodic, Power dan Heavy Metal, sehingga Pengaruh Kuatnya kemudian seakan menjadi feedback yang bagus buat pertumbuhannya. tapi kali ini gw coba akan mengulas band yang teramat asing ditelinga kalian, GOTSU TOTSU KOTSU ! nah bener khan? hehehehe ... nama Gotsu-Totsu-Kotsu sendiri memang diambil dari Budaya Jepang banget, Gotsu-Totsu-Kotsu adalah nama seorang Satria Samurai Kuno yang menjadi legenda dinegerinya, sehingga Konsep Band yang lebih memainkan sentuhan kental Death/Thrash ini lebih Spesifik menyebutnya sebagai " Samurai Metal ", band ini sendiri dibentuk oleh Member Death Metal Veteran Jepang, Defiled sejak Tahun 2000, Haruhisa Takahata. dan Imej Band serta penampilan panggungnya pula mereka mengenakan Kimono ala Samurai Pula hehehe ... raunchy JCM 800-esque midrange bite. While I wouldn’t call the guitar sound massive by any means, it fits what the band is trying to pull off perfectly. Songs typically meander betwixt traditional, old-school Swedeath to thrashy death to some pretty funky death ‘n’ roll at times. dengan sounding yang Terdengar Raw, sentuhan Death/Thrash In The Vein Slayer, Sodom, Venom hingga Possessed begitu amat terasa dalam sentuhannya. pops, slaps, and twangs constantly, and the result is just a really fun, interesting moment to hear in a death metal song, and when he’s playing one of those solos, you almost want to rewind it just to hear it again and again. persembahan Old School Thrasher yang masih kental elemen transisi death metal-nya menjadi idealis band ini sejak terbentuk. It’s a loud, almost grunted growl. He even sneaks in a few clean whines in a couple of spots that fit the music like a glove. The fact that the vocals are so prominent in the mix and the vocals are in Japanese creates the feeling of rhythmic chanting to the already extremely groovy riffing. The only Japanese I know I learned from Styx, but I can assure you that when I listen to this album, I always at least try to mimic the vocal rhythms without even knowing what the word should even sound like. meskipun tidak ada yang terlalu Istimewa gw rasakan disini, sentuhan klasik metal yang begitu " Raw " lebih mengajak gw dalam suasana yang rilex saja saat mengkonsumsinya hehehe ... lumayan buat temen galau nih kayaknya. The material on the album in terms of songwriting is excellent. There are a lot of fantastic ideas present here, and the level of flow between those ideas sounds extremely natural. Kentaro Takada’s work on the guitars is filled with tasty chops, groovy riffs, and melodious solos, providing an excellent companion to the crazy bass parts residing in the spotlight. The riffing itself is as groovy as it gets, and these guys are definitely fluent in their old-school Swedish death metal licks. Everything has just the right mix of brutality and groove to make it immensely memorable and enjoyable.

Metal Movement Sakura is the most productive Commencing with a number of talented musicians have sprung up there, from all metal genres that exist in Asia, Japan Allow So is the 2nd country after Indonesia with a number of bands and releases productive every day. and perhaps this country often visited band2 melodic, Power and Heavy Metal, so the effect of strength then seemed to be a good feedback for growth. but this time I will try to review a band you very alien ears, Gotsu Totsu Kotsu! nah bener khan? hehehehe ... Gotsu-name-Kotsu Totsu itself is taken from the Japanese culture really, Gotsu-Totsu-Kotsu is the name of an ancient Samurai Satria dinegerinya who became a legend, so the concept of the band played a touch more viscous Death / Thrash is more specific as to call it "Metal Samurai" , the band itself was formed by a Member Death Metal Veterans Japan, Defiled since 2000, Haruhisa Takahata. The image and the band and their stage performance is also wearing a Kimono style Samurai Pula hehehe ... Raunchy JCM 800-esque midrange bite. While I would not call the guitar sound massive by any means, it fits what the band is trying to pull off perfectly. Songs typically meanders betwixt traditional, old-school Swedeath to thrashy death to some pretty funky death 'n' roll at times. by sounding the Raw Sounds, touch Death / Thrash In The Vein Slayer, Sodom, Venom Possessed so keenly felt by the touch. pops, slaps, and twangs constantly, and the result is just a really fun, interesting moment to hear in a death metal song, and when he's playing one of those solos, you almost want to rewind it just to hear it again and again. Old School Thrasher offerings are still strong elements of its transition into death metal band has since formed idealist. It's a loud, almost growl grunted. He even sneaks in a few whines clean in a couple of spots that fit the music like a glove. The fact that the vocals are so prominent in the mix and the vocals are in Japanese creates the feeling of rhythmic chanting to the already extremely groovy riffing. The only Japanese I know I learned from Styx, but I can assure you that when I listen to this album, I always at least try to mimic the vocal rhythms without even knowing what the word should even sound like. although nothing overly Special gw feel here, a touch of classic metal that is so "Raw" more invites in the atmosphere rilex gw alone while taking it hehehe ... quite make friends seems upset ya. The material on the album in terms of songwriting is excellent. There are a lot of fantastic ideas present here, and the level of flow between those ideas sounds extremely natural. Kentaro Takada's work on the guitars is filled with tasty chops, groovy riffs, and solos Melodious, providing an excellent companion to the crazy bass parts residing in the spotlight. The riffing itself is as groovy as it gets, and these guys are definitely fluent in their old-school Swedish death metal licks. Everything has just the right mix of brutality and groove to make it immensely memorable and enjoyable.











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