Corporate Death - Angels & Worms CD 2013



























Corporate Death - Angels & Worms
Self Released CD 2013
http://www.corporatedeath.net
http://www.myspace.com/corporatedeath666
http://www.reverbnation.com/corporatedeath

01 Heretic Angels 04:18    
02 Seeders of Discordia 03:37    
03 The Twilight 03:19    
04 Systematic Taste of Suffering 03:17    
05 Between Worms and Feelings 03:14    
06 The Bitter End 03:50    
07 Symmetric Imperfection 02:57    
08 World of Afflictions 03:45


Damien Mendonça - Guitars, Bass
Flávio Ribeiro - Vocals
Rafael Cau - Drums


Menyimpan elemen Kental In The Vein Suffocation, Malevolent Creation, Kataklysm dan Cannibal Corpse, band ini mengaku Kalo Nama Bandnya terinspirasi Titel Track Murder Metal-nya Macabre ! intensitas permainan trio Brutal Death Metal Berat asal Sao Paulo, Brazil yang eksis Sejak Tahun 2001 dan saat ini menjadikan " Angels & Worms " adalah Full album ke-2 setelah " Terminate Existence " tahun 2008, dengan komposisi skill bermusik yang tambah matang, Trio ini memang lebih tampil mencengangkan di album gress ini, apalagi permainan Mantap Drummer Rafael Cau banyak menyita perhatian Gw. Konsep band ini memang Cool punya, The pummeling syncopations, the inhumanly low, brutal vocals, the slamming, down-picked breakdowns !! apalagi aransemen yang mereka ciptakan disini selalu didominasi dengan Extra powerfully Track pada setiap lagunya. deduce that it's merely the barbarous noise of neanderthals, but those individuals would actually be gravely mistaken. In due time, with enough repeated listening it is likely that most of those people will come to realize the brilliance of Suffocation's complexity and mastery of song construction within a sphere of absolutely punishing heaviness and brutality. memang sejak start track pertama " Heretic Angels ", gw langsung mencium aroma kuat Suffocation era " effigy Of ... " banget pada Intensitas Drumming serta Gaya Riffing Cannibal Corpse Era " Tomb Of The Mutilated " banget, sementara Pummeling Tremolo Riff lebih mencoba memadukan karakter Malevolent Creation dengan Kataklysm era " Sorcery ", sehingga komposisinya tertata apik disetiap gempuran mematikannya. Beginning with some snare, bass, and double bass kicking, the guitars kick in to create a wall of riffs that, due to poor production, are nearly indiscernible from each other. Though the guitars blend with the drums and bass at times, they do sound really good when the ambient noise is taken away. The tempo changes throughout the song are superb as double bass kicking is present while the rest of the band slows down. The soloing wails from each guitar with precision and emotion as they sound like the screams of victims trapped in a basement dungeon. The song takes on a bit of groove as it progresses that adds a new dimension. Karakter Low Grunted Growl keren Flávio Ribeiro memang Gaya Lama Frank Mullen era " Effigy .. " banget dan pembawaan pattern-nya Matching Banget untuk Konsep yang diusung ini. the furor of music exploding forth; it seems the band inadvertently created a catchy beat. This beat is mercilessly massacred as the song ends with their combination breakdown and new riffing section. " Seeders of Discordia " semakin menggerinda Irama detak jantung gw dengan intensitas sadis berikutnya. Gitaris Damien Mendonça yang juga memainkan semua instrumen bass disini memang menjadi Mastermind Utama yang bekerja keras menciptakan ramuan Brutality-nya tetap terjaga kualitas dan Intensitas menggerindanya, cukup Simple namun banyak melahirkan komposisi Musik yang mengharamkan slowly part. carry a much more percussive quality to them conducive to the riff driven backdrop he’s been given. Basically he succeeds in being guttural enough to avoid becoming an extreme caricature, ends up sounding evil rather than comical. Although his demon grunts are mostly unintelligible, it is also obvious that this band was more interested in a multifaceted approach to lyrics that includes some intellectual takes on society and mankind, rather than simply dwelling only upon the cliché of gore and descriptions of the human anatomy meant to trigger one’s vomit reflex. 8 track menggerinda selama total durasi 28:17 sangatlah cukup untuk merobohkan Seisi Kamar Gw kayaknya hehehe, The terrific tempo changes are one of the most important characteristics of this sound and the monolithic blast beats differ a bit from the classic death/grind ones of that period because they are not that fast but they point more on the heaviness and the sheer nastiness of the beats. Everything must be complex, massive and truly heavy as a mountain since the first notes !!!

Storing elements Condensed In The Vein Suffocation, Malevolent Creation, Kataklysm and Cannibal Corpse, the band admitted Kalo The band name was inspired Titel Track the Macabre Murder Metal! intensity trio game Brutal Death Metal Weight origin Sao Paulo, Brazil, which existed since 2001 and is currently making "Angels & Worms" is the 2nd full-length album after "Terminate Existence" in 2008, with added musical composition skills matured, this Trio indeed be performed astonishing gress in this album, let alone a game Steady Drummer Rafael Cau much attention Gw. The concept of this band has indeed Cool, The pummeling syncopations, the inhumanly low, brutal vocals, the slamming, down-picked breakdowns!! moreover arrangements they created here is always dominated by powerfully Extra tracks on each song. deduce that it's merely the Barbarous noise of Neanderthals, but those individuals would actually be GRAVELY mistaken. In due time, with enough repeated listening it is Likely that most of those people will come to Realize the brilliance of Suffocation's complexity and mastery of song construction within a sphere of absolutely punishing heaviness and brutality. indeed since the start the first track "Heretic Angels", I immediately smell the strong aroma era Suffocation "Effigy Of ..." really on the intensity and style of riffing Drumming era Cannibal Corpse "Tomb Of The Mutilated" really, while pummeling Tremolo try to combine characters riff over Malevolent Creation with Kataklysm era "Sorcery", so that the composition is arranged beautifully in every onslaught turn it off. Beginning with some snare, bass, and double bass kicking, the guitars kick in to create a wall of riffs that, due to poor production, are nearly indiscernible from each other. Though the guitars blend with the drums and bass at times, they do sound really good when the ambient noise is taken away. The tempo changes throughout the song are superb as double bass kicking is present while the rest of the band slows down. The wails from each guitar soloing with precision and emotion as they sound like the screams of victims trapped in a basement dungeon. The song takes on a bit of groove as it progresses that adds a new dimension. Low Growl cool character grunted Flávio Ribeiro is Old Style Frank Mullen era "Effigy .." really and his innate pattern Matching Concept promoted Banget for this. the furor of music exploding forth; it seems the band inadvertently created a catchy beat. This beat is mercilessly massacred as the song ends with their breakdown and new combination riffing section. "Seeders of Discordia" the grinding rhythm of the heartbeat next gw with sadistic intensity. Damien Mendonça guitarist who also plays all the instruments bass here is a Mastermind Primary Brutality worked hard to create his potions to maintain the quality and intensity menggerindanya, Simple but pretty much gave birth to the composition of music which forbids slowly part. carry a much more percussive quality to them conducive to the riff driven backdrop he's been given. Basically he Succeeds in being guttural enough to avoid becoming an extreme caricature, ends up sounding evil rather than comical. Although his demons are mostly unintelligible grunts, it is also obvious that this band was more interested in a multifaceted approach to lyrics that includes some intellectual takes on society and mankind, rather than simply dwelling only upon the cliché of gore and descriptions of the human anatomy meant to trigger one's vomit reflex. 8 track grinding for a total duration of 28:17 is enough to knock down The whole room seems Gw hehehe, the terrific tempo changes are one of the most important characteristics of this sound and the blast beats monolithic differ a bit from the classic death / grind ones of that period Because they are not that fast but they point more on the heaviness and the sheer nastiness of the beats. Everything must be complex, truly massive and heavy as a mountain since the first notes!!!











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