Tomb - Entrance to Primordial Funerations
Pathologically Explicit Recordings EP 2018
https://www.facebook.com/TOMB-1302366193150485
01 Kisting Uninterred Malevolence 04:02
02 Ritual Uses of Mortal Flesh 03:16
03 Depraved Funerary Customs 04:21
04 Unburnt Grave Remains 03:51
Jonathan Garcia - Vocals
Oscar Ortega - Guitars
Jorge Salgado - Bass
David Black - Drums
From the deepest and darkest pits of far distant graveyards, TOMB rises from the dead to engulf your mortal flesh with overwhelming funeral slams. Featuring members of Virulency, Scatology Secretion, Gravitational Distortion, MDMA, and so on. ketika hari ini Teknologi sudah sangat maju, keberadaan kita dimana saja tidak akan ada jaraknya, semuanya bisa hadir didepan mata. tidak membuang banyak waktu ketika Obsesi harus bertemu dalam sebuah proyek, maka jadilah hari ini istilah Internasional Band. vocalis Jonathan Garcia (Hex, Virulency, ex-Devangelic (live), ex-Third World's Mourning, ex-Forensick, ex-Cadaverized Ferocity, ex-Quaoar) di Spanyol, Gitaris Oscar Ortega (Esophageal, Fixation on Suffering, Molecular Fragmentation, Septycemia, Unethical Human Experiments, ex-Scatology Secretion, Ergosphere, Experiments in Torture, Putreseminal Viscosity, Strappado, Tortured, ex-Cerebral Effusion, ex-Endoparasitic, ex-Forensick, ex-Intraocular Anomalies, ex-Servants of the Sword) di Spanyol, Bassis Jorge Salgado (Endoparasitic, Esophageal, Fixation on Suffering, MDMA, Septycemia, Virulency, ex-Infertile Surrogacy, Putreseminal Viscosity, Tortured) di Spanyol dan Drummer David Black (Blastomycosis, Gravitational Distortion, Will of the Ancients, ex-Nephelium, A Weapon of Choice, ex-Ischemic) di Kanada harus mempertemukan keinginan musikalnya dibawah bendera TOMB ! masih konsis mengusung warna BDM dengan Gaya bernyanyi yang lebih ke Goregrind Style, means that while their music is nothing ground-breaking, " Entrance to Primordial Funerations " should at the very least be able to delivery on filling that craving for Guttural and BDM Source !!!
As soon as I pressed play and was greeting by the opening track, " Kisting Uninterred Malevolence ", just pick a random BDM act out of the hat and you are more than likely spot on. Sometimes this can be a problem with some bands if they aren’t able to take that type of worship and apply it correctly, but Tomb do a beast job of taking a little bit of everything from those bands and even adding their own Devourment esque slams to it. karena hasil perpaduan 4 karakter berbeda dalam induk BDM Horde, Gw jadi ragu menyimpulkan keseluruhan karakteristik yang di mainkan oleh Tomb, ditambah lagi dengan Gaya bernyanyi Jonathan Garcia yang Goregrind banget, multiple Pig Squeel Vokill devastated ! jadi rasanya ini seperti menikmati Goregrind rasa BDM karena beberapa faktor pembeda. hari ini batas musikal memang tidak ada batasan yang baku, sehingga movement eksperimen-nya sering terjadi hari demi hari, jadi jangan heran banyak bermunculan " warna " dan " rasa " baru sampai dengan hari ini. yang bikin Gw agak garuk garuk kepala, esensi musikal BDM Tomb ini karakter-nya " Unik " banget, meski sudah melengkapi elementasi partisi yang ada, perubahan Fill dan bar-nya terdengar " Freak ", apakah band ini hanya menjadi Parade Pig Squeel aja atau gimana, mengingat dominasi elemen vokal memang sangat terjadi. tempo musik yang sulit ditebak progres-nya, sementara riff gitar hanya mengikuti tempo yang sudah dijalankan oleh Drummer David Black. penampilannya tidak meledak ledak hebat seperti band-band yang mereka mainkan lainnya, Tomb coba lebih menawarkan suasana yang rilex banget. If you like your BDM to be chaotic in nature but traditional in spirit. kerasa letup ledakan hebat di track " Ritual Uses of Mortal Flesh ", Gw masih mencium perpaduan gaya bermain Esophageal, Fixation on Suffering, Molecular Fragmentation, atau Septycemia. Spain BDM memang memiliki karakteristik pada hulu daya ledak paling Extreme dari scene lainnya ditambah Guttural Pig Squeel Vokill adalah hukum wajib-nya, ga heran konseptual seperti ini lebih dilirik oleh BDM Band kebanyakan kelas awal. I completely understand why these guys decided to incorporate a more versatile mix of vocals on this song, it helps break up the monotony that can weaken many ultra BDM albums. whilst I seriously dig that album no one can deny that the highly Guttural vocals became monotonous by the time you reached the last few tracks of the album. Furthermore, I can imagine that laying down guttural vocals over every single track and live performance year after year can become boring for a musician, so on the whole I do not understand the beef some people have had with the vocal performance. " Depraved Funerary Customs " masih mengulang konsep pada track awal, meskipun yang ini lebih memiliki picu ledak yang dramatis lagi sama hal-nya dengan track ke-4 pada EP ini, " Unburnt Grave Remains ", The guitar production is damn cool solid, sounding Brutal and has that edgy tone you would expect of any album of the BDM genre. The tone is well-suited for this style of playing. Now for the drums. The drum playing is typical and the drum production is ok. It's loud enough where it stands out from the other instruments, but I think it could be produced a little louder and have a tighter sounding snare for new touches help offset the simple parts and keep things interesting.
As a conclusion, I have to say that this EP is not really an album I will listen to in the future. There is too little variation and the genre is not totally in my taste. I think that if you dig well enough down DM genre you will find some monotonous that are much than this, but if you are a great fan freak of DM, I think you can find some decent material on this EP. terlalu banyak eksperimentasi yang ingin semua member Tomb padukan secara keseluruhan sehingga tentang hasil akhir adalah fans yang menentukan suka atau tidak. but otherwise I've not got many complaints, because it is evident that these guys put a Tremendous amount of work into this music, and there's something here to sate any of a wide variety of death metal fans, whether they're into sheer nihilistic Bludgeoning or Aggravated Guttural Brutality.
REVIEW IN ENGLISH
From the deepest and darkest pits of far distant graveyards, TOMB rises from the dead to engulf your mortal flesh with overwhelming funeral slams. Featuring members of Virulency, Scatology Secretion, Gravitational Distortion, MDMA, and so on. when today technology is very advanced, our existence anywhere will not have a distance, everything can be present in front of the eyes. does not waste a lot of time when Obsession must meet on a project, so be today the term International Band. vocalis Jonathan Garcia (Hex, Virulency, ex-Devangelic (live), ex-Third World's Mourning, ex-Forensick, ex-Cadaverized Ferocity, ex-Quaoar) on Spain, Gitaris Oscar Ortega (Esophageal, Fixation on Suffering, Molecular Fragmentation, Septycemia, Unethical Human Experiments, ex-Scatology Secretion, Ergosphere, Experiments in Torture, Putreseminal Viscosity, Strappado, Tortured, ex-Cerebral Effusion, ex-Endoparasitic, ex-Forensick, ex-Intraocular Anomalies, ex-Servants of the Sword) on Spain, Bassis Jorge Salgado (Endoparasitic, Esophageal, Fixation on Suffering, MDMA, Septycemia, Virulency, ex-Infertile Surrogacy, Putreseminal Viscosity, Tortured) on Spain and Drummer David Black (Blastomycosis, Gravitational Distortion, Will of the Ancients, ex-Nephelium, A Weapon of Choice, ex-Ischemic) on Canada must meet his musical desires under the TOMB flag! still consular in carrying BDM colors with more singing styles to Goregrind Style, meaning that while their music is nothing ground-breaking, the "Entrance to Primordial Funerations" should be at least able to deliver on filling that craving for Guttural and BDM Source! !!
As soon as I pressed play and was greeting by the opening track, " Kisting Uninterred Malevolence ", just pick a random BDM act out of the hat and you are more than likely spot on. Sometimes this can be a problem with some bands if they aren’t able to take that type of worship and apply it correctly, but Tomb do a beast job of taking a little bit of everything from those bands and even adding their own Devourment esque slams to it. because the result of a combination of 4 different characters in the BDM Horde parent, I was hesitant to conclude the overall characteristics played by Tomb, coupled with the style of singing Jonathan Garcia who is very Goregrind, multiple Pig Squeel Vokill devastated! so it feels like enjoying Goregrind BDM because of a number of distinguishing factors. today the musical boundary is indeed no standard limit, so the experimental movement often occurs day by day, so don't be surprised that a lot of new "colors" and "flavors" emerge until today. which makes me scratch my head, the essence of BDM Tomb's musical is "Unique" really, even though it has completed the existing partition element, the Fill and bar changes sound "Freak", is this band just a Parade of Pig Squeel or what, considering the dominance of vocal elements is really happening. the tempo of music is difficult to predict, the progress, while guitar riffs only follow the tempo that has been run by drummer David Black. the appearance is not explosive like the other bands they play, Tomb try to offer a really relaxed atmosphere. If you like your BDM to be chaotic in nature but traditional in spirit. it feels like a big explosion on the track "Ritual Uses of Mortal Flesh", I still smell a mix of styles of playing Esophageal, Fixation on Suffering, Molecular Fragmentation, or Septycemia. Spain BDM does have the most extreme characteristics of the upstream explosive power of the other scenes plus Guttural Pig Squeel Vokill is a mandatory law, no wonder conceptually like this is more glimpsed by BDM Band most of the early classes. I completely understand why these guys decided to incorporate a more versatile mix of vocals on this song, it helps break up the monotony that can weaken many ultra BDM albums. whilst I seriously dig that album no one can deny that the highly Guttural vocals became monotonous by the time you reached the last few tracks of the album. Furthermore, I can imagine that laying down guttural vocals over every single track and live performance year after year can become boring for a musician, so on the whole I do not understand the beef some people have had with the vocal performance. "Depraved Funerary Customs" still repeats the concept of the original track, even though this one has more dramatic explosive triggers as well as the 4th track on this EP, " Unburnt Grave Remains ", The guitar production is damn cool solid, sounding Brutal and has that edgy tone you would expect of any album of the BDM genre. The tone is well-suited for this style of playing. Now for the drums. The drum playing is typical and the drum production is ok. It's loud enough where it stands out from the other instruments, but I think it could be produced a little louder and have a tighter sounding snare for new touches help offset the simple parts and keep things interesting.
As a conclusion, I have to say that this EP is not really an album I will listen to in the future. There is too little variation and the genre is not totally in my taste. I think that if you dig well enough down DM genre you will find some monotonous that are much than this, but if you are a great fan freak of DM, I think you can find some decent material on this EP.too much experimentation that all members of the Tomb want to mix together so that the end result is the fans who decide whether they like it or not. but otherwise I've not got many complaints, because it is evident that these guys put a Tremendous amount of work into this music, and there's something here to sate any of a wide variety of death metal fans, whether they're into sheer nihilistic Bludgeoning or Aggravated Guttural Brutality.
Pathologically Explicit Recordings EP 2018
https://www.facebook.com/TOMB-1302366193150485
01 Kisting Uninterred Malevolence 04:02
02 Ritual Uses of Mortal Flesh 03:16
03 Depraved Funerary Customs 04:21
04 Unburnt Grave Remains 03:51
Jonathan Garcia - Vocals
Oscar Ortega - Guitars
Jorge Salgado - Bass
David Black - Drums
From the deepest and darkest pits of far distant graveyards, TOMB rises from the dead to engulf your mortal flesh with overwhelming funeral slams. Featuring members of Virulency, Scatology Secretion, Gravitational Distortion, MDMA, and so on. ketika hari ini Teknologi sudah sangat maju, keberadaan kita dimana saja tidak akan ada jaraknya, semuanya bisa hadir didepan mata. tidak membuang banyak waktu ketika Obsesi harus bertemu dalam sebuah proyek, maka jadilah hari ini istilah Internasional Band. vocalis Jonathan Garcia (Hex, Virulency, ex-Devangelic (live), ex-Third World's Mourning, ex-Forensick, ex-Cadaverized Ferocity, ex-Quaoar) di Spanyol, Gitaris Oscar Ortega (Esophageal, Fixation on Suffering, Molecular Fragmentation, Septycemia, Unethical Human Experiments, ex-Scatology Secretion, Ergosphere, Experiments in Torture, Putreseminal Viscosity, Strappado, Tortured, ex-Cerebral Effusion, ex-Endoparasitic, ex-Forensick, ex-Intraocular Anomalies, ex-Servants of the Sword) di Spanyol, Bassis Jorge Salgado (Endoparasitic, Esophageal, Fixation on Suffering, MDMA, Septycemia, Virulency, ex-Infertile Surrogacy, Putreseminal Viscosity, Tortured) di Spanyol dan Drummer David Black (Blastomycosis, Gravitational Distortion, Will of the Ancients, ex-Nephelium, A Weapon of Choice, ex-Ischemic) di Kanada harus mempertemukan keinginan musikalnya dibawah bendera TOMB ! masih konsis mengusung warna BDM dengan Gaya bernyanyi yang lebih ke Goregrind Style, means that while their music is nothing ground-breaking, " Entrance to Primordial Funerations " should at the very least be able to delivery on filling that craving for Guttural and BDM Source !!!
As soon as I pressed play and was greeting by the opening track, " Kisting Uninterred Malevolence ", just pick a random BDM act out of the hat and you are more than likely spot on. Sometimes this can be a problem with some bands if they aren’t able to take that type of worship and apply it correctly, but Tomb do a beast job of taking a little bit of everything from those bands and even adding their own Devourment esque slams to it. karena hasil perpaduan 4 karakter berbeda dalam induk BDM Horde, Gw jadi ragu menyimpulkan keseluruhan karakteristik yang di mainkan oleh Tomb, ditambah lagi dengan Gaya bernyanyi Jonathan Garcia yang Goregrind banget, multiple Pig Squeel Vokill devastated ! jadi rasanya ini seperti menikmati Goregrind rasa BDM karena beberapa faktor pembeda. hari ini batas musikal memang tidak ada batasan yang baku, sehingga movement eksperimen-nya sering terjadi hari demi hari, jadi jangan heran banyak bermunculan " warna " dan " rasa " baru sampai dengan hari ini. yang bikin Gw agak garuk garuk kepala, esensi musikal BDM Tomb ini karakter-nya " Unik " banget, meski sudah melengkapi elementasi partisi yang ada, perubahan Fill dan bar-nya terdengar " Freak ", apakah band ini hanya menjadi Parade Pig Squeel aja atau gimana, mengingat dominasi elemen vokal memang sangat terjadi. tempo musik yang sulit ditebak progres-nya, sementara riff gitar hanya mengikuti tempo yang sudah dijalankan oleh Drummer David Black. penampilannya tidak meledak ledak hebat seperti band-band yang mereka mainkan lainnya, Tomb coba lebih menawarkan suasana yang rilex banget. If you like your BDM to be chaotic in nature but traditional in spirit. kerasa letup ledakan hebat di track " Ritual Uses of Mortal Flesh ", Gw masih mencium perpaduan gaya bermain Esophageal, Fixation on Suffering, Molecular Fragmentation, atau Septycemia. Spain BDM memang memiliki karakteristik pada hulu daya ledak paling Extreme dari scene lainnya ditambah Guttural Pig Squeel Vokill adalah hukum wajib-nya, ga heran konseptual seperti ini lebih dilirik oleh BDM Band kebanyakan kelas awal. I completely understand why these guys decided to incorporate a more versatile mix of vocals on this song, it helps break up the monotony that can weaken many ultra BDM albums. whilst I seriously dig that album no one can deny that the highly Guttural vocals became monotonous by the time you reached the last few tracks of the album. Furthermore, I can imagine that laying down guttural vocals over every single track and live performance year after year can become boring for a musician, so on the whole I do not understand the beef some people have had with the vocal performance. " Depraved Funerary Customs " masih mengulang konsep pada track awal, meskipun yang ini lebih memiliki picu ledak yang dramatis lagi sama hal-nya dengan track ke-4 pada EP ini, " Unburnt Grave Remains ", The guitar production is damn cool solid, sounding Brutal and has that edgy tone you would expect of any album of the BDM genre. The tone is well-suited for this style of playing. Now for the drums. The drum playing is typical and the drum production is ok. It's loud enough where it stands out from the other instruments, but I think it could be produced a little louder and have a tighter sounding snare for new touches help offset the simple parts and keep things interesting.
As a conclusion, I have to say that this EP is not really an album I will listen to in the future. There is too little variation and the genre is not totally in my taste. I think that if you dig well enough down DM genre you will find some monotonous that are much than this, but if you are a great fan freak of DM, I think you can find some decent material on this EP. terlalu banyak eksperimentasi yang ingin semua member Tomb padukan secara keseluruhan sehingga tentang hasil akhir adalah fans yang menentukan suka atau tidak. but otherwise I've not got many complaints, because it is evident that these guys put a Tremendous amount of work into this music, and there's something here to sate any of a wide variety of death metal fans, whether they're into sheer nihilistic Bludgeoning or Aggravated Guttural Brutality.
REVIEW IN ENGLISH
From the deepest and darkest pits of far distant graveyards, TOMB rises from the dead to engulf your mortal flesh with overwhelming funeral slams. Featuring members of Virulency, Scatology Secretion, Gravitational Distortion, MDMA, and so on. when today technology is very advanced, our existence anywhere will not have a distance, everything can be present in front of the eyes. does not waste a lot of time when Obsession must meet on a project, so be today the term International Band. vocalis Jonathan Garcia (Hex, Virulency, ex-Devangelic (live), ex-Third World's Mourning, ex-Forensick, ex-Cadaverized Ferocity, ex-Quaoar) on Spain, Gitaris Oscar Ortega (Esophageal, Fixation on Suffering, Molecular Fragmentation, Septycemia, Unethical Human Experiments, ex-Scatology Secretion, Ergosphere, Experiments in Torture, Putreseminal Viscosity, Strappado, Tortured, ex-Cerebral Effusion, ex-Endoparasitic, ex-Forensick, ex-Intraocular Anomalies, ex-Servants of the Sword) on Spain, Bassis Jorge Salgado (Endoparasitic, Esophageal, Fixation on Suffering, MDMA, Septycemia, Virulency, ex-Infertile Surrogacy, Putreseminal Viscosity, Tortured) on Spain and Drummer David Black (Blastomycosis, Gravitational Distortion, Will of the Ancients, ex-Nephelium, A Weapon of Choice, ex-Ischemic) on Canada must meet his musical desires under the TOMB flag! still consular in carrying BDM colors with more singing styles to Goregrind Style, meaning that while their music is nothing ground-breaking, the "Entrance to Primordial Funerations" should be at least able to deliver on filling that craving for Guttural and BDM Source! !!
As soon as I pressed play and was greeting by the opening track, " Kisting Uninterred Malevolence ", just pick a random BDM act out of the hat and you are more than likely spot on. Sometimes this can be a problem with some bands if they aren’t able to take that type of worship and apply it correctly, but Tomb do a beast job of taking a little bit of everything from those bands and even adding their own Devourment esque slams to it. because the result of a combination of 4 different characters in the BDM Horde parent, I was hesitant to conclude the overall characteristics played by Tomb, coupled with the style of singing Jonathan Garcia who is very Goregrind, multiple Pig Squeel Vokill devastated! so it feels like enjoying Goregrind BDM because of a number of distinguishing factors. today the musical boundary is indeed no standard limit, so the experimental movement often occurs day by day, so don't be surprised that a lot of new "colors" and "flavors" emerge until today. which makes me scratch my head, the essence of BDM Tomb's musical is "Unique" really, even though it has completed the existing partition element, the Fill and bar changes sound "Freak", is this band just a Parade of Pig Squeel or what, considering the dominance of vocal elements is really happening. the tempo of music is difficult to predict, the progress, while guitar riffs only follow the tempo that has been run by drummer David Black. the appearance is not explosive like the other bands they play, Tomb try to offer a really relaxed atmosphere. If you like your BDM to be chaotic in nature but traditional in spirit. it feels like a big explosion on the track "Ritual Uses of Mortal Flesh", I still smell a mix of styles of playing Esophageal, Fixation on Suffering, Molecular Fragmentation, or Septycemia. Spain BDM does have the most extreme characteristics of the upstream explosive power of the other scenes plus Guttural Pig Squeel Vokill is a mandatory law, no wonder conceptually like this is more glimpsed by BDM Band most of the early classes. I completely understand why these guys decided to incorporate a more versatile mix of vocals on this song, it helps break up the monotony that can weaken many ultra BDM albums. whilst I seriously dig that album no one can deny that the highly Guttural vocals became monotonous by the time you reached the last few tracks of the album. Furthermore, I can imagine that laying down guttural vocals over every single track and live performance year after year can become boring for a musician, so on the whole I do not understand the beef some people have had with the vocal performance. "Depraved Funerary Customs" still repeats the concept of the original track, even though this one has more dramatic explosive triggers as well as the 4th track on this EP, " Unburnt Grave Remains ", The guitar production is damn cool solid, sounding Brutal and has that edgy tone you would expect of any album of the BDM genre. The tone is well-suited for this style of playing. Now for the drums. The drum playing is typical and the drum production is ok. It's loud enough where it stands out from the other instruments, but I think it could be produced a little louder and have a tighter sounding snare for new touches help offset the simple parts and keep things interesting.
As a conclusion, I have to say that this EP is not really an album I will listen to in the future. There is too little variation and the genre is not totally in my taste. I think that if you dig well enough down DM genre you will find some monotonous that are much than this, but if you are a great fan freak of DM, I think you can find some decent material on this EP.too much experimentation that all members of the Tomb want to mix together so that the end result is the fans who decide whether they like it or not. but otherwise I've not got many complaints, because it is evident that these guys put a Tremendous amount of work into this music, and there's something here to sate any of a wide variety of death metal fans, whether they're into sheer nihilistic Bludgeoning or Aggravated Guttural Brutality.
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