Deicide - In the Minds of Evil CD 2013

Deicide - In the Minds of Evil
Century Media Records CD 2013
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http://www.last.fm/music/Deicide

01 In the Minds of Evil 03:53    
02 Thou Begone 03:44      
03 Godkill 03:11    
04 Beyond Salvation 02:57    
05 Misery of One 03:21    
06 Between the Flesh and the Void 03:54    
07 Even the Gods Can Bleed 02:58    
08 Trample the Cross 03:00    
09 Fallen to Silence 03:09    
10 Kill the Light of Christ 03:30    
11 End the Wrath of God 03:13

Glen Benton - Bass, Vocals
Steve Asheim - Drums
Jack Owen - Guitars
Kevin Quirion - Guitars

Twenty years ago, an underground cult movement surfaced in Tampa, Florida that revolutionized the metal world. The pioneers of this burgeoning scene, DEICIDE, are still striking fear into hearts of the masses to this day. Century Media Records are extremely proud to announce a worldwide deal with DEICIDE, one of the founding fathers of death metal and easily one of the most influential and controversial bands ever. With a relentlessly brutal sound and uncompromisingly blasphemous lyrics, DEICIDE helped set the standards for extreme metal and have maintained those standards ever since. DEICIDE IS BACK NOW YEAAAHHHH !!!!!!!!!! ... Setelah cukup bagi gw mengecewakan dibeberapa album sebelumnya seperti " Till Death Do Us Part dan To Hell with God ", Gw sempat hampir meninggalkan kecintaan Gw dengan salah satu Band Paling Fenomenal ini, apalagi album2 Hebat mereka masih bersama Duo Gitaris bersaudara Eric dan Brian Hoffman bersama Formasi lengkapnya, Kehadiran Penggantinya Jack Owen masih cukup memberikan sentuhan Kuat untuk Deicide, namun entah kenapa gw malah Kurang Respect dengan Kehadiran Gitaris Ralph Santolla telah banyak membuat Konsep Deicide menjadi lebih Manis dan Soft untuk Karakteristik Deicide yang lebih Satanik ! From the legendary Satanic death metal band Deicide Instead of receiving critical acclaim, however, as one might expect, many fans were surprised and disappointed when they noticed that the song-writing which had become more prominent on it's predecessor, had become largely stunted, while the overall riff-variety dropped and left many of the songs feeling lifeless and boring. telah menjadi beberapa Perbincangan " Miring " tentang pergeseran Konsep ala Ralph Santola. Anyway, beruntung Saat Gw mendengarkan materi baru " In the Minds of Evil " ini gw menjadi " Jatuh Cinta " lagi dengan Konsep Sadis Deicide yang " telah kembali ". Breakdowns are rarely utilized at all, with the tracks blasting around at essentially the same pace for their entire length, I probably am not doing a very good job explaining why this is a good album. Well, like I said, there are two tracks on this album which break the mold and end up sounding great as hell. Yess !! Kehadiran Gitaris baru Kevin Quirion, yang beberapa Tahun lalu sempat membantu beberapa aksi panggung Deicide kini memutuskan untuk bergabung dalam Line Up Kontroversial ini. Meski cuman sekilas gw mengomentari album baru " In the Minds of Evil ", adalah perpaduan antara konsep era " Once upon the Cross " dengan " The Stench of Redemption ", masih dengan sentuhan Solo2 melodius yang kerap menggeram dibeberapa lick sedikit meninggalkan jejak gaya bermain Ralph Santolla, namun Kevin Quirion lebih berhasil membawa karakter Gaya bermain Duo Bersaudara Hoffman kayaknya, Excellent ! untuk kali pertama Deicide menggandeng Produser Jason Suecof yang sudah lebih sukses menggarap band2 besar sukses lainnya diharap akan mampu mendongkrak Kembali Populeritas Deicide yang sempat Tumbang di 2 album sebelumnya. Well di mulai dengan Track Jagoan " In the Minds of Evil ", Standard Deicide Style tentunya sudah familiar kan dikuping Kalian?? Nah ini memang tetap Trademark Deicide masih dengan hentakan Middle Catchy Headbang ! The song features some changes in pace, slowing down a bit here, going into overdrive speed there, and always giving you the feeling that you’re being utterly punished for something you shouldn’t have done. This track is punishing despite not being the most brutal track here, and it certainly gives you a preview of what’s ahead. serasa merasakan kembali kejayaan era " Once upon the Cross " dengan balutan Solo Yang lebih Melodius lagi. Raungan Glen Benton Masih Yang terbaik dengan Growl Parau-nya. permainan Drummer Asheim Masih Atraktif menawarkan skill Dinamis-nya. demonstrates Asheim’s fondness of the triplet groove, a style that Deicide have aptly utilized since their self-titled debut way back in 1990. takes a slight breather, slowing the tempo just a hair within said triplet pattern, offering up a bit of the swagger of old. kemudian " Thou Begone " lebih Membakar Adrenalin Gw untuk Headbang dengan hentakan Middle Part yang Ciamik yang berakhir dengan masih Pukulan Beat Yang cepat dan Hyperblast ! a single stroke on the snare, generally at around 220 bpm or faster, and goes double time with the feet. This technique is an old-school one-foot blast made twice as heavy with the double kicks, not a bomb- or gravity-blast, dan Asheim lebih lagi menawarkan ketukan Blastbeat cepat-nya disini. No flashy bells, chimes, or splashes are necessary when you are focused on being as heavy as possible. His snare is crisp and cutting, and for live performance his kicks are the only drums that are triggered. Wow Pokoknya Track Lagu Deicide lebih menarik banget kali ini gw rasakan setiap aransemennya. " Godkill " masih menawarkan sentuhan Catchy Riff " Asli " karakter Awal Deicide dibentuk dengan pembawaan yang lebih " Softly " Soundingnya. lebih cepat dan Menghantam lagi dengan " Beyond Salvation ", Catchy Kompleks masih dengan Tarian Indah Solo Melodius yang Bertebaran seakan menciptakan Atmosfir Kelam banget untuk lebih sinkron dengan Ateis Liriknya Benton. is certainly above all a fun listen, packed as it is with blisteringly-played, short and to-the-point death metal. " Misery of One " lebih digeber cepat lagi dengan sentuhan Blastbeat ! Nuansa " Between the Flesh and the Void " lebih mengingatkan Gw juga dengan Karakteristik Morbid Angel yang kemudian bertarung Hebat dengan Deicide memang semakin menghitamkan Arogansi Kegelapan gaya mereka. At this point it might just be part of their schtick, but I give Deicide credit for continuing to bluntly tell the good lord where to stick it in an age when limp-wristed Christian right bands are parading around calling themselves death metal on bullshit labels like Solid State. " Even the Gods Can Bleed " masih mengganas begitu juga " Trample the Cross ", seketika melibas anggapan Musik Deicide Harus kendor setelah 2 album sebelumnya, Deicide masih Kejam Men !! 11 lagu berdurasi total 36:50 menitan ini bagi gw cukup membawa kembali Kejayaan Deicide yang sempat Hilang. Meski tidak setajam Sound Hoffman Bersaudara, Sayatan Sounding kali ini lebih Matang dan Menggilas !! dikerjakan serius dengan Hasil Fantastis di AudioHammer Studios di Sanford, Florida, cukuplah untuk " In the Minds of Evil " menjadi Materi Terbaik ditahun 2013 ini. Artwork Karya Seniman Asal Australia, Simon Cowell kini Giliran Mengemas Blasphemic Art-nya. I will say that there aren’t as many here – but when there are, they’re done justice. The fact that this disc features many different approaches. The album kicks off with the title track and brings out all these elements in a neatly composed death metal phenomenon. Another thing I found different, was that in general, Deicide has gotten faster and more melodic over the years, and here it tops off. Much more tremolo picking and blast beat drumming yet more guitar echoing bass lines Look how progressive more annoying than progressive. It's almost like listening to nails on a chalkboard. The rest of the album follows the same suit that the rest of their albums did, but done with less emotion and seemed like they were regurgitating their last album all over this one.

Twenty years ago , an underground cult movement surfaced in Tampa , Florida that revolutionized the metal world . The pioneers of this burgeoning scene , DEICIDE , are still striking fear into hearts of the masses to this day . Century Media Records are extremely proud to announce a worldwide deal with DEICIDE , one of the founding fathers of death metal and Easily one of the Most Influential and controversial bands ever . With a relentlessly brutal sound and uncompromisingly blasphemous lyrics , Deicide helped set the standards for extreme metal and have maintained those standards ever since . Deicide YEAAAHHHH IS BACK NOW ! ! ! ! ! ! ! ! ! ! ... After several disappointing enough for gw previous albums such as " Till Death Do Us Part and To Hell with God " , was almost left Gw Gw love with one of the Most Phenomenal Band is, moreover they are still together album2 Fabulous Duo Guitarist brothers Eric and Brian Hoffman shared the full formation , presence successor Jack Owen still enough strength to give a touch of Deicide , but somehow i even Less Respect to the presence of guitarist Ralph Santolla has a lot more to make a concept Deicide Sweet and Soft for a more Satanic Characteristics Deicide ! From the legendary Satanic death metal band Deicide Instead of receiving critical acclaim , however , as one might expect , many fans were surprised and disappointed when they noticed that the song -writing roomates had Become more prominent on it's predecessor , had Become largely stunted , while the riff -variety overalls dropped and left many of the songs feeling lifeless and boring . has been some conversation " Leaning " on shifts concept ala Ralph Santola . Anyway , lucky Gw Currently listening to the new material " In the Minds of Evil " is gw to " Fall in Love " again with Deicide Sadistic concept that " has returned " . Breakdowns are rarely utilized at all , with the tracks blasting around at Essentially the same pace for their entire length , I am probably not doing a very good job explaining why this is a good album . Well , like I said , there are two tracks on this album roomates break the mold and end up sounding great as hell . Yess ! ! The presence of new guitarist Kevin Quirion , a few Years ago had helped some stage act Deicide now decided to join in this Controversial Line Up . Although cuman glance i commented on the new album " In the Minds of Evil " , is a blend between the concept of the era of " Once upon the Cross " with " The stench of Redemption " , still with a touch of melodic Solo2 often lick a little growl in several leaves traces Ralph's style of play Santolla , but Kevin Quirion be able to bring the character style of play I think Hoffman Brothers Duo , Excellent ! for the first time took Deicide Producer Jason Suecof who had already successfully worked on other successful large band2 expected to be able to boost that could Deicide Back Populeritas tumbles in 2 previous albums . Well, start with the Track Champion " In the Minds of Evil " , Standard Deicide Style dikuping course, already familiar to you guys ? ? Well this is still Trademark Deicide still with the beat of Middle Catchy Headbang ! The song features some changes in pace , slowing down a bit here , going into overdrive speed there , and always giving you the feeling that you're being utterly punished for something you should not have done . This track is punishing despite not being the most brutal track here , and it certainly gives you a preview of what's ahead . seemed to feel the glory era of " Once upon the Cross " with a bandage Solo A more melodic again . The roar of Glen Benton Still the best with his husky growls . game Drummer Asheim Still Attractive offers Dynamic his skill . demonstrates Asheim 's fondness of the triplet groove , a style that Deicide have aptly utilized since their self-titled debut way back in 1990. takes a slight breather , slowing the tempo just a hair within said triplet pattern , offering up a bit of the swagger of old . then " Thou Begone " Burning Adrenaline Gw over to Headbang with the beat of Middle Part of the good that still ended with a quick blow and Hyperblast Beat That ! a single stroke on the snare , generally at around 220 bpm or faster , and goes double time with the feet . This technique is an old - school one- foot blast made ??twice as heavy with the double kicks , not a bomb - or gravity - blast , and Asheim over again offer its fast beats Blastbeat here . No flashy bells , chimes , or splashes are Necessary when you are focused on being as heavy as possible . His snare is crisp and cutting , and for his live performance kicks are the only drums that are triggered . Anyway wow Track Deicide song more interesting this time I really felt any arrangements . " Godkill " still offers a touch Catchy Riff " Original " Initial character traits Deicide was formed with a more " Softly " Soundingnya . faster and Hit again with " Beyond Salvation " , Catchy Dance Complex with Beautiful Solo still melodic atmosphere that creates Dark Spreading really seemed to be in sync with the lyrics Atheist Benton . is certainly above all a fun listen , packed as it is with blisteringly - played , short and to-the -point death metal . " Misery of One " be lauched faster with Blastbeat touch ! Shades of " Between the Flesh and the Void " is more reminiscent of Gw also with Morbid Angel characteristic which later fought Great with Deicide is the arrogance of Darkness blacken their style . At this point it might just be part of their schtick , but I give Deicide credit for continuing to bluntly tell the good lord where to stick it in an age when limp - wristed Christian right bands are parading around calling Themselves bullshit death metal on labels like solid State . " Even the Gods Can Bleed " still raged so well " Trample the Cross " , immediately bulldoze the notion Music Deicide Should saggy after 2 previous albums , Deicide still Cruel Men ! ! 11 tracks total length is 36:50 menitan for gw enough to bring back the Glory Deicide was Lost . Although not as sharp as Sound Hoffman Brothers , this time Sounding incision Matang and Grind ! ! seriously done with Fantastic Results at Audiohammer Studios in Sanford , Florida , it is enough to " In the Minds of Evil " to be material in 2013 's Best . Artwork Artist Works Origin Australia , Simon Cowell is now turn his Art Pack Blasphemic . I will say that there are not as many here - but when there are , they're done justice . The fact that this disc features many different approaches . The album kicks off with the title track and brings out all these elements in a neatly composed death metal phenomenon . Another thing I found different , was that in general , Deicide has gotten faster and more melodic over the years , and here it tops off . Much more tremolo picking and blast beat drumming yet more bass guitar lines echoing Look how progressive more annoying than progressive . It's almost like listening to nails on a chalkboard . The rest of the album follows the same suit that the rest of their albums did , but done with less emotion and seemed like they were regurgitating their last album all over this one .